About Me
- Geraldine
- I still feel like a teenager on the inside, unfortunately my children do remind me how old I am!! I have lived for 20+ years as an Irish expat in The Netherlands. My favourite city here has to be Amsterdam.
Writing, reading, authentic living. It's all here at The Writing Process
Welcome to my blog. Let me start by telling you that I love writing. I love the sense of vitality it gives me. I love that it helps me to make sense of the world and to the people in it. I love that it helps me become wiser, more intuitive, empathic, and most of all autonomous.
All aspects - reading, writing and observing - are what make the process complete. The essence is storytelling, and learning about
life and yourself.
Showing posts with label destiny. Show all posts
Showing posts with label destiny. Show all posts
Sunday, July 1, 2012
Transitions - again
A must read
"With this on my kindle I can refer to it wherever and whenever I choose. I would especially recomend the section on the Neutral Zone, the period between awareness that old habits don't work any more and new ones need to be formed. Why I mention this specifically, is because this is the phase that makes us most uncomfortable. We prefer to avoid the feeling of uselessness that it may evoke, but it is in fact acceptance of this 'emptiness' and choosing to undergo it fully, that will enrich us most in the long run. Going into the neutral zone and listening to all the messages it brings, is essential in the transition from old to new. "
Labels: writing, fiction, reading, life
authentic living,
authenticity,
awareness,
destiny,
heart,
meaning,
strong life,
The Shift
Saturday, June 16, 2012
The Shift - from ambition to meaning
A film
about the spiritual teachings of Wayne Dyer.
Starts with
enchanting music played on the piano, and the words, spoken by Wayne Dyer
“thoroughly unprepared, we take the step into the afternoon of life. Worse
still, we take this step with the false presupposition that our truths and our
ideals will serve us as hitherto. But we cannot live the afternoon of life
according to the program of life’s morning”.
The film
then goes on to explain and illustrate this beautiful quotation.
Wayne Dyer,
himself a successful writer of self-improvement books such as Pulling your Own
Strings, and The Sky’s the Limit while in the morning of his life, felt his own
shift into the afternoon of life and his calling to become a more spiritual
writer and teacher. The result is the well-known, The Power of Intention and
Change your Thoughts, Change your Life – Living the Wisdom of the Tao. His
latest, The Shift, Taking your Life from Ambition to Meaning is the basis for
the film.
The
structure of the film is simplistic, easy to follow and thus appealing to a
wider audience. In brief, a film making
team come to a beautiful seaside retreat to film Wayne Dyer as he speaks about
The Shift. This interview is punctuated with secondary storylines, two or three
individuals, couples and families who are also staying at the retreat and who,
coincidentally illustrate Dyer’s theories.
If you can
get past this uncomfortable set up, then what Dyer tells us, and how this is
illustrated in the secondary scenes is actually really inspiring, more so
because of its almost childlike simplicity.
In his
studies, Dyer has discovered, both in men and women, that the morning of life
is filled with striving to achieve external goals, ambitions, the need for
recognition, monetary reward, social standing, though exactly how these goals
are chased differs significantly between men and women. Then, as we approach
the afternoon of life, these goals are replaced with more intrinsic ambitions.
Internal satisfaction, deeper meaning to life, spirituality and
self-realisation become the new drivers. Suffering is caused when we try to
live the afternoon of life with the same program we applied to life’s morning.
The
characters in the second layer of the film, illustrate the different forms this
transition can take. A mother who relinquishes some of her nurturing tasks to
create space for her own creativity. The film maker who, having been fired from
his job at a commercial network, has a light bulb moment and knows he has to
make more inspirational films and the company executive, who takes a step back
from his corporate ambitions and chooses for family.
But, the
most significant personal shift comes from another character entirely, and if
you want to see who and how, then you will have to watch the film!
As I
mentioned earlier, this is not a film filled with deep, intellectually
challenging metaphors and symbols. It is designed to reach everyone. Wayne
Dyer’s presence throughout the film, his gentle tone, and succinct way of
explaining his discoveries were pleasant to listen to and for me at least, the
lessons sank in.
Labels: writing, fiction, reading, life
creativity,
destiny,
empathy,
heart,
inspiration,
meaning,
spirituality,
The Shift,
transitions,
truth,
Wayne Dyer,
work
Tuesday, January 17, 2012
On being mediocre
I think the most difficult thing for me was realizing that, despite all my best (though unsuccessful) efforts at denying it, I might just be mediocre.
Mediocrity will of course ultimately result in being rapidly forgotten after death and is thus an enormous leveler.
However, the realization of possibly being mediocre may, if allowed, actually bring about a sense of peace, and permit me to slow down, perhaps just watch unlimited TV and stop chasing the illusory life that seems so much better than the one I am living.
Allowing the notion of mediocrity to sink in will offer release from constant activity and rainbow chasing and perhaps even create the space necessary to exist in the here and now, just accepting everything exactly as it is.
Accepting mediocrity is liberating. Just stop and smell the roses. Engage in an activity without hanging some unrealistic importance on it. Rediscover the intrinsic pleasure in everything I do.
Love the mediocrity, the ordinariness, love it.
Labels: writing, fiction, reading, life
authentic living,
authenticity,
awareness,
destiny,
inspiration,
strengths,
writer
Tuesday, September 28, 2010
Speed dating for the small businessperson, in my hometown!
If anyone were to ask me to name one good thing to come of the current economic crisis, my answer would be, that it ´encouraged´ many of us to take matters into our own hands career wise. Company after company has been forced to downsize, declare bankruptcy or restart, sending many talented people home, jobless, and with little prospect of finding another position.
What do you do in an economy with limited opportunity and where, if you manage to find a job, in a buyer’s market, you never quite feel comfortable and at ease? You are, after all, only one of countless potential employees and if you do not meet the mark there’s a queue of people out there, some younger, some cheaper, some, though less experienced are more flexible ready to take your place, so be eternally grateful that you were chosen. Well, it’s hard to be grateful, spontaneous, and productive when you are constantly looking over your shoulder. It’s hard to be up beat when you are riddled with insecurity.
Take matters into your own hands. Create your own opportunities. Take the time to evaluate your skills, experience, personality, and just what it is that makes you unique and special. Think about your inherent strengths, too. List all the things you do and that make you feel good about yourself. And when you’ve done that, take the plunge, and set up a business.
And that’s what countless people have done. It’s the trend, the way of the future. Offering your services as a ‘freelancer’ or independent entrepreneur is good for you: as long as you deliver the service you promise, you are free to complete the project in a way that best suits you. It is also good for the client/company who hires your services: no extra ballast on the payroll, and no contract of employment, just billing for services rendered.
Easy, you say. And it is, once you have acquired the knack of finding and keeping a steady flow of clients, have learned to maintain a simple bookkeeping system, have learned how to deal with overdue invoices, tax returns and time management, to name but a few issues that might arise.
Yesterday in Alphen aan den Rijn a group of experts in the field offered their services to newly established small businesses to discuss just such issues, and offer information on how to deal with them.
Organized and sponsored by BuildaSite, Patoir vd Vlugt & Verkade, Primo Boekhouden, Stichting Ondernemersklankbord, Kamer van Koophandel (C of C) and Communicatiebureau Vet-Gedrukt, this team of professionals made time to support the up and coming ZZP (Independent Sole Proprietors) community in Alphen aan den Rijn, free of charge, I might add!
It is a rare thing these days, to receive and invitation to an event of this type, free of charge. When I mentioned it to a colleague ZZPer, she, not unexpectedly said, ‘what’s the catch?’ And who can blame her? Phrases like, ‘there’s no such thing as a free lunch’ come to mind. But, I was there, and I can honestly say, I didn’t pay a cent. But more than that, I was given a top quality evening, with an opportunity to talk to more experienced business people, to exchange ideas with other up and coming independents.
And the meal was great, too!
After an introduction by each sponsor, the ZZPers split up into groups. In a period of ten minutes, each group member had to introduce himself, his company and the services he offered. There was also opportunity to talk about the difficulties encountered; the group could then offer solutions, or where appropriate suggest the expertise available in that particular area. Short, to the point and very useful.
Ten minutes later, a sort of musical chairs took place, and the ZZPers shuffled about and formed new groups and again each was given the opportunity to introduce him or herself and talk about their business and services.
One ZZPer might have difficulty setting up and maintaining a simple bookkeeping system, another, like me, may be less able to sell themselves or network efficiently. One ZZPer might just offer a service another needs. And so, like with speed dating matches were made and meetings set up.
Basically, what happened was exactly the principle Marcus Buckingham and others describe in their textbooks on developing strengths and minimising weaknesses. By pairing up with others, we are able to ‘delegate’ our weakness to someone else, whose strength it is, and thus minimise stress and make time free to perform the tasks we are good at, and that we offer through our businesses.
As a business graduate, I don’t have a problem maintaining a simple bookkeeping system: I do not have a shoebox full of receipts and my invoicing system is no more complicated than it needs to be. As a writer and designer, I communicate through my blog and my website. But, when it comes to physically ‘being there’ and presenting my business, it’s another story. But thanks to the generosity of the group who organized last evening’s event, even I am learning to network and be proud of what I do.
They lowered the bar a little and showed me that, should I need it, I have a group of experts to fall back on, should I need their support.
Thanks for their generosity.
Labels: writing, fiction, reading, life
authentic living,
awareness,
creativity,
destiny,
freelance,
marcus buckingham,
publish,
strengths,
strong life,
workshops,
writer
Thursday, September 9, 2010
Awareness - Strongest life, why not?
I had a wonderful meeting with Manon, from UMAI centre in Alphen where I live. We both feel driven and inspired to create workshops for women to rediscover their strengths, desires and dare I say it, calling in life.
The key word is AWARENESS. Becoming aware, and choosing to face every day with an openness and willingness to truly absorb and experience each situation to its fullest is one of the greatest gifts you can give to yourself.
AWARENESS implies having the courage to see your dark side, to integrate that, and thus allow it to become another bridge to your authentic self and a fulfilling life.
Being aware will help us tranform painful experiences into learning experiences. AWARENESS makes the pain endurable.
What follows is an article I wrote last year, but one I feel merits republishing in light of my meeting this morning.
Strongest life
In the spring, I heard I was being made redundant. My company was downsizing and I was superfluous to needs. At that time I did the Marcus Buckingham workshop on line, and filled in the questionnaire on Strengthsfinder.com. An eye opener, a turning point, a revelation. It led to my reading the articles on Work-life balance on Business Exchange and even to contributing my tuppence ha’penny’s worth of commentary.
Later, when I had thought more seriously about the subject, in particular in relation to the premise that women at mid life, though seemingly more successful are sadder and sicker than ever, I was prompted to write my own article on the subject, ‘Let’s Get Personal’. I published it on my blog, found Marcus Buckingham on twitter just to keep up.
All the while I’m thinking, there’s a book in here somewhere.
And of course, there was. Marcus Buckingham has just written it. Find Your Strongest Life is all about the choices women make and how and why we make them. His motivation for writing it stemmed from the Oprah workshop and the subsequent response on the discussion boards.
He is a great analyst, an intuitive observer, and intelligent enough to step aside and process all the information impartially. But he is not a woman.
In the last couple of months I have been working on these issues myself and getting excited about my life all over again. And excited about my friends’ lives too. Since learning to live to my strengths and being manifestly happier I am also a better friend.
The biggest wake up call for me was realising that I had always instinctively known what my strengths were and that using them would be to my and possibly everyone else’s advantage. Unfortunately my working environment was not conducive to employing these strengths. In fact, though it is hard to believe, what were in fact my strengths were the very traits that my bosses wanted me to minimise and hide. As a Creator and a Pioneer I was always coming up with new ideas, new ways of doing things. But when I voiced these in meetings, I was repeatedly overruled more or less told to get back into my box/ Frustration grew. I became resentful, recalcitrant and de-motivated. But before Marcus Buckingham and learning to live to your strengths I spent a lot of time feeling weakened and uninspired at work. Why not go for another job? You might ask. Because somewhere deep down, I almost believed the bosses were right. I believed they knew better than I. I believed that I was a difficult, dissatisfied employee, and that there was no point in moving on because I would antagonise the next boss just as much.
When the redundancy notice came, and I coincidentally came across the Oprah workshop, my life turned around. Learning to respect who I am, and learning to nurture my natural talents has given me a new lease of life. I have more energy than ever. My ability to learn new things, and my curiosity and determination to learn them, has returned in abundance. My mind is again filled with new ideas and despite still being ‘officially’ unemployed I am more contented than I have been in a decade. It is also much easier to be around me.
But, I want to get away from only discussing my own evolution because there is much more to this subject than that. In my previous strengths article ‘Let’s Get Personal’ I investigated the reasons why I turned out the way I did. I asked myself why it was so hard for me to find and live to my strengths, why I would I take on a bosses view of me above my own view of who I am.
Now, a couple of months later it is not just about me reading a book, and applying what I learn to myself. Everywhere I go, whomever I meet, friends, acquaintances, online contacts via social networks, I am walking the walk, and talking the talk. And that is what I want to go into here. I want to discuss what it is to share this with friends, to learn from them and more importantly to give back to them a little of what I am experiencing.
It is amazing.
I know a woman, a mother and career woman. She likes to achieve. Lately she and I have been talking a lot about character, and strengths and stumbling blocks. She is at a crossroads career wise and has been doing some self study and getting advice from others too. Yet she said something to me recently that made my jaw drop. Ok, she said. So I’ve been shown who I am, what my characteristics are. I am being given new insight into my personality. But, where are my strengths? Tell me more about my strengths. More importantly, what are my weaknesses, so that I can work on them?
And that’s the thing. Aren’t our strengths related to who we are? Marcus Buckingham tells us that our strengths are those talents that were always present and that they are inherent to who we are. Unfortunately we have been programmed to think that strengths and weaknesses lie outside of our core, and that we can learn new strengths and that we should focus on weaknesses, work on minimising them, or if we are lucky, turn them into strengths. That just isn’t true. Core strengths and weaknesses will always be just that.
We might say that our strength might be that we are quick to learn, but it will only be a strength if it is applied to learning things that fit us. If we put our energies into learning skills that we don’t like performing then our strength becomes a weakness. So, let’s define the strength more accurately and in Marcus’ own terms. I feel strong when I apply myself to learning new skills in areas that stimulate and please me. I know in my case, being a quick learner soon became a noose around my neck, and actually made it harder to find my real strengths, those activities that thrilled me, that made time stand still. Now, when I puzzle over new ways of designing a web page, or when I am writing an essay for my film studies, or thinking up the plot of my next book, then being a quick learner is a strength.
So during my talks with the mother and career woman, I said that her greatest gifts lie in those character traits that were defined in the test. The fact that she is searching and feeling weakened is because she may be utilising them wrongly, and so turning her strengths into weaknesses. Is the job she is doing the right one for her? Does the company ethic suit her own high standards? She has a need for excellence and always produces top quality work. She is good at taking on new projects, especially in areas where structure and clarity is needed. When she achieves that, she is happy. However, if others do not share her need for excellence, and she is drawn into dead end discussions, she feels weakened. In summary, she feels strong when she takes on a new project and brings structure and clarity. She feels weak when she is unable to convince others to do it her way. So, instead of thinking she can work on that weakness and be more accepting of less than top quality input from others, which in turn will eat away at her strength – producing excellence, maybe she needs to look for a company that operates to the same standards as she. I feel honoured that I can go through this process with her. I already see how great she is. I will be there to celebrate when she is ready to see it herself.
Other women in my circle of friends struggle with other issues. But the essence is the same for all of us. We have all been forcing ourselves to perform tasks that don’t build on our natural strengths. We think that all we have to do is put our minds to a task or activity and just get on with it.
One woman in my circle, a painter and wonderfully creative woman, spent twelve years as an administrative assistant. She told me time and again that she just didn’t understand why she was so tired all the time. She didn’t understand why her output was so below standard and why she was constantly being put under pressure to work harder, and make better results. The simple truth is that she was spending all day in her weak moments. There were weeks when she honestly couldn’t remember one moment when she felt strong, and energised. There were whole months when she was so drained she didn’t have the energy to paint. Now, she too is unemployed, and all she knows is what she doesn’t ever want to do again. She has spent many hours writing and painting, and rediscovering who she really is. We talk about authenticity; we are ready to talk about our darker sides. Our friendship allows us to be honest with each other. We trust each other.
That is the whole point of Marcus Buckingham’s Strongest Life book. To finally get us to wake up and see that we don’t have to do anything and everything. The successful amongst us, and by successful I also mean, happy and contented, are the women who at some stage listened to what the inner voice was telling them. These women, whether consciously or unconsciously, decided to build on those moments that made them feel good and fulfilled instead of ‘working on’ those areas that left them feeling bad.
I have a friend, someone I have always admired. Her mother and father raised her and her siblings to believe in their talents. All of them were gifted musicians, and no one was telling them that music was not the way to make a living. No one told them to learn a trade, or study engineering just because they were clever enough to do so. No, in their family you could be who you wanted to be, who you were born to be. Their mother in particular encouraged them to follow those strong moments. She knew all too well what could happen if you didn’t listen to your own inner voice. She had been an actor and was passionate about theatre and literature and the stage. But for reasons she never spoke about she abandoned her dreams and spends a lot of her life in clinical depression.
What was first, the chicken or the egg? Who knows? What I do know is that my friend never doubted for a moment that her life belonged to music and music belonged in her life. Money or lack of it never stopped her pursuing excellence in her chosen field, never drove her to a career or a job that would have taken away that passion. Initially her music earned her very little, money wise. But she continued to improve and refine her skills. Today she is a vocal director for musical societies for youth theatre groups. Her choirs have won international and national prizes. She has raised three boys through university. Her passion for music has carried her through many hard and difficult moments over the years. But the thread that has run through everything, for her and her siblings, is the truth and authenticity they have. Both her brothers are well known composers, arrangers and orchestra leaders. Her sister teaches at the Royal Academy. All are highly respected, as musicians and human beings. Money and status were never their motivators.
I count myself blessed that I know her. She is the proof I need that living to your strengths will enrich your life. She found it early, I didn’t. But I know I am not too late. You can never be too late. If I ever start to think I am too old, or that I’ve gone past the sell-by-date, then I remind myself of how it was, how I was, and I know I will never lie to myself again. I ask the question Robin Sharma asks of us “Who will cry when I die?” and I know for sure it won’t be me. I won’t cry for a wasted life or chances not taken.
According to the strong life test, my core characteristics are Creator and Pioneer. I always knew it, deep down. They popped up in so many ways. Over the years I have written several novels, even published one. For the last twenty years I have read a vast amount of literature on self realisation. Everything from The Artist’s Way to Now, Discover your strengths and numerous others in between. I have taken courses in Body Work, Transactional Analysis and others. I have been a member of several writing groups. Yet, when it came to earning a living, I locked all of that away in a box and hid it in some dark place.
The key word is AWARENESS. Becoming aware, and choosing to face every day with an openness and willingness to truly absorb and experience each situation to its fullest is one of the greatest gifts you can give to yourself.
AWARENESS implies having the courage to see your dark side, to integrate that, and thus allow it to become another bridge to your authentic self and a fulfilling life.
Being aware will help us tranform painful experiences into learning experiences. AWARENESS makes the pain endurable.
What follows is an article I wrote last year, but one I feel merits republishing in light of my meeting this morning.
Strongest life
In the spring, I heard I was being made redundant. My company was downsizing and I was superfluous to needs. At that time I did the Marcus Buckingham workshop on line, and filled in the questionnaire on Strengthsfinder.com. An eye opener, a turning point, a revelation. It led to my reading the articles on Work-life balance on Business Exchange and even to contributing my tuppence ha’penny’s worth of commentary.
Later, when I had thought more seriously about the subject, in particular in relation to the premise that women at mid life, though seemingly more successful are sadder and sicker than ever, I was prompted to write my own article on the subject, ‘Let’s Get Personal’. I published it on my blog, found Marcus Buckingham on twitter just to keep up.
All the while I’m thinking, there’s a book in here somewhere.
And of course, there was. Marcus Buckingham has just written it. Find Your Strongest Life is all about the choices women make and how and why we make them. His motivation for writing it stemmed from the Oprah workshop and the subsequent response on the discussion boards.
He is a great analyst, an intuitive observer, and intelligent enough to step aside and process all the information impartially. But he is not a woman.
In the last couple of months I have been working on these issues myself and getting excited about my life all over again. And excited about my friends’ lives too. Since learning to live to my strengths and being manifestly happier I am also a better friend.
The biggest wake up call for me was realising that I had always instinctively known what my strengths were and that using them would be to my and possibly everyone else’s advantage. Unfortunately my working environment was not conducive to employing these strengths. In fact, though it is hard to believe, what were in fact my strengths were the very traits that my bosses wanted me to minimise and hide. As a Creator and a Pioneer I was always coming up with new ideas, new ways of doing things. But when I voiced these in meetings, I was repeatedly overruled more or less told to get back into my box/ Frustration grew. I became resentful, recalcitrant and de-motivated. But before Marcus Buckingham and learning to live to your strengths I spent a lot of time feeling weakened and uninspired at work. Why not go for another job? You might ask. Because somewhere deep down, I almost believed the bosses were right. I believed they knew better than I. I believed that I was a difficult, dissatisfied employee, and that there was no point in moving on because I would antagonise the next boss just as much.
When the redundancy notice came, and I coincidentally came across the Oprah workshop, my life turned around. Learning to respect who I am, and learning to nurture my natural talents has given me a new lease of life. I have more energy than ever. My ability to learn new things, and my curiosity and determination to learn them, has returned in abundance. My mind is again filled with new ideas and despite still being ‘officially’ unemployed I am more contented than I have been in a decade. It is also much easier to be around me.
But, I want to get away from only discussing my own evolution because there is much more to this subject than that. In my previous strengths article ‘Let’s Get Personal’ I investigated the reasons why I turned out the way I did. I asked myself why it was so hard for me to find and live to my strengths, why I would I take on a bosses view of me above my own view of who I am.
Now, a couple of months later it is not just about me reading a book, and applying what I learn to myself. Everywhere I go, whomever I meet, friends, acquaintances, online contacts via social networks, I am walking the walk, and talking the talk. And that is what I want to go into here. I want to discuss what it is to share this with friends, to learn from them and more importantly to give back to them a little of what I am experiencing.
It is amazing.
I know a woman, a mother and career woman. She likes to achieve. Lately she and I have been talking a lot about character, and strengths and stumbling blocks. She is at a crossroads career wise and has been doing some self study and getting advice from others too. Yet she said something to me recently that made my jaw drop. Ok, she said. So I’ve been shown who I am, what my characteristics are. I am being given new insight into my personality. But, where are my strengths? Tell me more about my strengths. More importantly, what are my weaknesses, so that I can work on them?
And that’s the thing. Aren’t our strengths related to who we are? Marcus Buckingham tells us that our strengths are those talents that were always present and that they are inherent to who we are. Unfortunately we have been programmed to think that strengths and weaknesses lie outside of our core, and that we can learn new strengths and that we should focus on weaknesses, work on minimising them, or if we are lucky, turn them into strengths. That just isn’t true. Core strengths and weaknesses will always be just that.
We might say that our strength might be that we are quick to learn, but it will only be a strength if it is applied to learning things that fit us. If we put our energies into learning skills that we don’t like performing then our strength becomes a weakness. So, let’s define the strength more accurately and in Marcus’ own terms. I feel strong when I apply myself to learning new skills in areas that stimulate and please me. I know in my case, being a quick learner soon became a noose around my neck, and actually made it harder to find my real strengths, those activities that thrilled me, that made time stand still. Now, when I puzzle over new ways of designing a web page, or when I am writing an essay for my film studies, or thinking up the plot of my next book, then being a quick learner is a strength.
So during my talks with the mother and career woman, I said that her greatest gifts lie in those character traits that were defined in the test. The fact that she is searching and feeling weakened is because she may be utilising them wrongly, and so turning her strengths into weaknesses. Is the job she is doing the right one for her? Does the company ethic suit her own high standards? She has a need for excellence and always produces top quality work. She is good at taking on new projects, especially in areas where structure and clarity is needed. When she achieves that, she is happy. However, if others do not share her need for excellence, and she is drawn into dead end discussions, she feels weakened. In summary, she feels strong when she takes on a new project and brings structure and clarity. She feels weak when she is unable to convince others to do it her way. So, instead of thinking she can work on that weakness and be more accepting of less than top quality input from others, which in turn will eat away at her strength – producing excellence, maybe she needs to look for a company that operates to the same standards as she. I feel honoured that I can go through this process with her. I already see how great she is. I will be there to celebrate when she is ready to see it herself.
Other women in my circle of friends struggle with other issues. But the essence is the same for all of us. We have all been forcing ourselves to perform tasks that don’t build on our natural strengths. We think that all we have to do is put our minds to a task or activity and just get on with it.
One woman in my circle, a painter and wonderfully creative woman, spent twelve years as an administrative assistant. She told me time and again that she just didn’t understand why she was so tired all the time. She didn’t understand why her output was so below standard and why she was constantly being put under pressure to work harder, and make better results. The simple truth is that she was spending all day in her weak moments. There were weeks when she honestly couldn’t remember one moment when she felt strong, and energised. There were whole months when she was so drained she didn’t have the energy to paint. Now, she too is unemployed, and all she knows is what she doesn’t ever want to do again. She has spent many hours writing and painting, and rediscovering who she really is. We talk about authenticity; we are ready to talk about our darker sides. Our friendship allows us to be honest with each other. We trust each other.
That is the whole point of Marcus Buckingham’s Strongest Life book. To finally get us to wake up and see that we don’t have to do anything and everything. The successful amongst us, and by successful I also mean, happy and contented, are the women who at some stage listened to what the inner voice was telling them. These women, whether consciously or unconsciously, decided to build on those moments that made them feel good and fulfilled instead of ‘working on’ those areas that left them feeling bad.
I have a friend, someone I have always admired. Her mother and father raised her and her siblings to believe in their talents. All of them were gifted musicians, and no one was telling them that music was not the way to make a living. No one told them to learn a trade, or study engineering just because they were clever enough to do so. No, in their family you could be who you wanted to be, who you were born to be. Their mother in particular encouraged them to follow those strong moments. She knew all too well what could happen if you didn’t listen to your own inner voice. She had been an actor and was passionate about theatre and literature and the stage. But for reasons she never spoke about she abandoned her dreams and spends a lot of her life in clinical depression.
What was first, the chicken or the egg? Who knows? What I do know is that my friend never doubted for a moment that her life belonged to music and music belonged in her life. Money or lack of it never stopped her pursuing excellence in her chosen field, never drove her to a career or a job that would have taken away that passion. Initially her music earned her very little, money wise. But she continued to improve and refine her skills. Today she is a vocal director for musical societies for youth theatre groups. Her choirs have won international and national prizes. She has raised three boys through university. Her passion for music has carried her through many hard and difficult moments over the years. But the thread that has run through everything, for her and her siblings, is the truth and authenticity they have. Both her brothers are well known composers, arrangers and orchestra leaders. Her sister teaches at the Royal Academy. All are highly respected, as musicians and human beings. Money and status were never their motivators.
I count myself blessed that I know her. She is the proof I need that living to your strengths will enrich your life. She found it early, I didn’t. But I know I am not too late. You can never be too late. If I ever start to think I am too old, or that I’ve gone past the sell-by-date, then I remind myself of how it was, how I was, and I know I will never lie to myself again. I ask the question Robin Sharma asks of us “Who will cry when I die?” and I know for sure it won’t be me. I won’t cry for a wasted life or chances not taken.
According to the strong life test, my core characteristics are Creator and Pioneer. I always knew it, deep down. They popped up in so many ways. Over the years I have written several novels, even published one. For the last twenty years I have read a vast amount of literature on self realisation. Everything from The Artist’s Way to Now, Discover your strengths and numerous others in between. I have taken courses in Body Work, Transactional Analysis and others. I have been a member of several writing groups. Yet, when it came to earning a living, I locked all of that away in a box and hid it in some dark place.
Labels: writing, fiction, reading, life
authentic living,
authenticity,
awareness,
creativity,
destiny,
marcus buckingham,
strong life,
workshops
Monday, June 28, 2010
Renewed inspiration
I am blessed to have done this trip last month. If I ever worried about writer´s block this place, mystical and magical, is my inspiration. Since coming back home I have been writing, and painting, with Doolin and the cliffs as the centre of my creativity.
If you are not in a position to come to the cliffs, find a place close to where you live, that will lift you out of the daily grind, and tap into your heart and creative self.
Nature is truly wonderful
If you are not in a position to come to the cliffs, find a place close to where you live, that will lift you out of the daily grind, and tap into your heart and creative self.
Nature is truly wonderful
Labels: writing, fiction, reading, life
authentic living,
creativity,
destiny,
fiction,
inspiration,
Ireland,
spirituality,
writer,
writers block,
writing
Saturday, June 19, 2010
Steve Jobs: How to live before you die | Video on TED.com
Labels: writing, fiction, reading, life
authentic living,
creativity,
destiny,
inspiration,
marcus buckingham,
Steve Jobs
Saturday, January 23, 2010
Digging Deep
It’s all too easy to want to hasten the process and just get on with the actual novel, and I am sure there are plenty of novelists who are capable of doing so, but I would strongly recommend that a novice novelist take the time to do a chapter breakdown. The chapter breakdown will serve more than one purpose. Not only will it give more clarity to your initial inspiration, but it will also be a valuable aid in letting your characters evolve. And even more importantly, by going through the mechanics of a chapter breakdown, you will be able to see if there’s enough ‘meat on the bones’ of your plot. If at this stage the plot cannot be padded out into about fifteen chapters, then there’s not enough story to grow into a novel.
Given that you do have a fifteen-chapter story, then the breakdown will be an invaluable aid in your writing of the novel-in-progress. On those dull days when you feel overwhelmed by this project the chapter breakdown will do just that – break it down into manageable parts. It will also be your guide, and keep your mind clear and your thoughts directed. It will serve as a map and hold your focus. If you have chosen a less traditional novel form, one without the constraints of chronology, geography or historical context, then using the chapter breakdown will be your structure. I don’t know whether Michael Ondaatje used a chapter breakdown when writing "The English Patient," but I do know that were I to write such a complex novel, then I would definitely take the time to map out the story in this form.
There are novelists who shy away from a chapter breakdown, believing it will take the spontaneity out of their writing, and prevent the plot from developing and the characters to unfold naturally. And certainly I would agree with this opinion, if you choose to stick to the initial chapter breakdown as though it was written in blood. But if you give yourself the freedom to change and adapt, or swap chapters around, or re-write a whole section, then no, this need not be the case. Then the advantages then outweigh the disadvantages.
And now, with the chapter breakdown completed the first hurdle to your novel presents itself in the form of the OPENING SENTENCE. I have a rather simplistic solution to this – just write whatever comes into your head in order to get the story going. You can always change it at a later stage, even when the first draft is completed. At that stage the story will have grown into its own style and tone and chances are that even if you’d struggled for weeks on that elusive first sentence, you’d want to change it now, anyway! So spare yourself the headache.
I mentioned the word momentum earlier in the article. Now that you’ve written that first word, put that first, virgin idea onto paper (or your word processor), make an appointment with yourself in the same way you would with a colleague, friend or family member, that you will sit in your writing chair at a certain time every day or week. Inspired or not, you will write something. By making this appointment you are creating momentum.
Eventually writing will become as much a part of your daily routine as brushing your teeth. The novel will inhabit your thoughts. The plot will unfold; the characters will talk to you. The novel will live, become real, tangible almost. And who cares if you fail to get it word perfect first time. Just go with the flow. Enjoy the ride. Remember that this is a first draft, and it can always be adapted and improved. A blank page is just a blank page!
When you reach a point where you miss the writing if you break that appointment, when you feel restless when not writing, when you don’t break that appointment because ‘something else’ comes up, you know you are a true writer. You know you have committed to this project.
Given that you do have a fifteen-chapter story, then the breakdown will be an invaluable aid in your writing of the novel-in-progress. On those dull days when you feel overwhelmed by this project the chapter breakdown will do just that – break it down into manageable parts. It will also be your guide, and keep your mind clear and your thoughts directed. It will serve as a map and hold your focus. If you have chosen a less traditional novel form, one without the constraints of chronology, geography or historical context, then using the chapter breakdown will be your structure. I don’t know whether Michael Ondaatje used a chapter breakdown when writing "The English Patient," but I do know that were I to write such a complex novel, then I would definitely take the time to map out the story in this form.
There are novelists who shy away from a chapter breakdown, believing it will take the spontaneity out of their writing, and prevent the plot from developing and the characters to unfold naturally. And certainly I would agree with this opinion, if you choose to stick to the initial chapter breakdown as though it was written in blood. But if you give yourself the freedom to change and adapt, or swap chapters around, or re-write a whole section, then no, this need not be the case. Then the advantages then outweigh the disadvantages.
And now, with the chapter breakdown completed the first hurdle to your novel presents itself in the form of the OPENING SENTENCE. I have a rather simplistic solution to this – just write whatever comes into your head in order to get the story going. You can always change it at a later stage, even when the first draft is completed. At that stage the story will have grown into its own style and tone and chances are that even if you’d struggled for weeks on that elusive first sentence, you’d want to change it now, anyway! So spare yourself the headache.
I mentioned the word momentum earlier in the article. Now that you’ve written that first word, put that first, virgin idea onto paper (or your word processor), make an appointment with yourself in the same way you would with a colleague, friend or family member, that you will sit in your writing chair at a certain time every day or week. Inspired or not, you will write something. By making this appointment you are creating momentum.
Eventually writing will become as much a part of your daily routine as brushing your teeth. The novel will inhabit your thoughts. The plot will unfold; the characters will talk to you. The novel will live, become real, tangible almost. And who cares if you fail to get it word perfect first time. Just go with the flow. Enjoy the ride. Remember that this is a first draft, and it can always be adapted and improved. A blank page is just a blank page!
When you reach a point where you miss the writing if you break that appointment, when you feel restless when not writing, when you don’t break that appointment because ‘something else’ comes up, you know you are a true writer. You know you have committed to this project.
Labels: writing, fiction, reading, life
authentic living,
author,
creativity,
destiny,
disability,
fiction,
heart,
Ireland,
publish,
publishing,
strengths
Tuesday, October 20, 2009
Strongest Life. Don't ask how, just ask why not.
I had a wonderful meeting with Manon, from UMAI centre in Alphen where I live. Inspired to create workshops for women to rediscover their strengths, desires and dare I say it, calling in life.
The key word is AWARENESS. Becoming aware, and choosing to face every day with an openness and willingness to truly absorb and experience each situation to its fullest is one of the greatest gifts you can give to yourself.
AWARENESS implies having the courage to see your dark side, to integrate that, and thus allow it to become another bridge to your authentic, fulfilling life.
Being aware will help us tranform painful experiences into learning experiences. AWARENESS makes the pain endurable.
What follows is an article I wrote last year, but one I feel merits republishing in light of my meeting this morning.
In the spring, I heard I was being made redundant. My company was downsizing and I was superfluous to needs. At that time I did the Marcus Buckingham workshop on line, and filled in the questionnaire on Strengthsfinder.com. An eye opener, a turning point, a revelation. It led to my reading the articles on Work-life balance on Business Exchange and even to contributing my tuppence ha’penny’s worth of commentary.
Later, when I had thought more seriously about the subject, in particular in relation to the premise that women at mid life, though seemingly more successful are sadder and sicker than ever, I was prompted to write my own article on the subject, ‘Let’s Get Personal’. I published it on my blog, found Marcus Buckingham on twitter just to keep up.
All the while I’m thinking, there’s a book in here somewhere.
And of course, there was. Marcus Buckingham has just written it. Find Your Strongest Life is all about the choices women make and how and why we make them. His motivation for writing it stemmed from the Oprah workshop and the subsequent response on the discussion boards.
He is a great analyst, an intuitive observer, and intelligent enough to step aside and process all the information impartially. But he is not a woman.
In the last couple of months I have been working on these issues myself and getting excited about my life all over again. And excited about my friends’ lives too. Since learning to live to my strengths and being manifestly happier I am also a better friend.
The biggest wake up call for me was realising that I had always instinctively known what my strengths were and that using them would be to my and possibly everyone else’s advantage. Unfortunately my working environment was not conducive to employing these strengths. In fact, though it is hard to believe, what were in fact my strengths were the very traits that my bosses wanted me to minimise and hide. As a Creator and a Pioneer I was always coming up with new ideas, new ways of doing things. But when I voiced these in meetings, I was repeatedly overruled more or less told to get back into my box/ Frustration grew. I became resentful, recalcitrant and de-motivated. But before Marcus Buckingham and learning to live to your strengths I spent a lot of time feeling weakened and uninspired at work. Why not go for another job? You might ask. Because somewhere deep down, I almost believed the bosses were right. I believed they knew better than I. I believed that I was a difficult, dissatisfied employee, and that there was no point in moving on because I would antagonise the next boss just as much.
When the redundancy notice came, and I coincidentally came across the Oprah workshop, my life turned around. Learning to respect who I am, and learning to nurture my natural talents has given me a new lease of life. I have more energy than ever. My ability to learn new things, and my curiosity and determination to learn them, has returned in abundance. My mind is again filled with new ideas and despite still being ‘officially’ unemployed I am more contented than I have been in a decade. It is also much easier to be around me.
But, I want to get away from only discussing my own evolution because there is much more to this subject than that. In my previous strengths article ‘Let’s Get Personal’ I investigated the reasons why I turned out the way I did. I asked myself why it was so hard for me to find and live to my strengths, why I would I take on a bosses view of me above my own view of who I am.
Now, a couple of months later it is not just about me reading a book, and applying what I learn to myself. Everywhere I go, whomever I meet, friends, acquaintances, online contacts via social networks, I am walking the walk, and talking the talk. And that is what I want to go into here. I want to discuss what it is to share this with friends, to learn from them and more importantly to give back to them a little of what I am experiencing.
It is amazing.
I know a woman, a mother and career woman. She likes to achieve. Lately she and I have been talking a lot about character, and strengths and stumbling blocks. She is at a crossroads career wise and has been doing some self study and getting advice from others too. Yet she said something to me recently that made my jaw drop. Ok, she said. So I’ve been shown who I am, what my characteristics are. I am being given new insight into my personality. But, where are my strengths? Tell me more about my strengths. More importantly, what are my weaknesses, so that I can work on them?
And that’s the thing. Aren’t our strengths related to who we are? Marcus Buckingham tells us that our strengths are those talents that were always present and that they are inherent to who we are. Unfortunately we have been programmed to think that strengths and weaknesses lie outside of our core, and that we can learn new strengths and that we should focus on weaknesses, work on minimising them, or if we are lucky, turn them into strengths. That just isn’t true. Core strengths and weaknesses will always be just that.
We might say that our strength might be that we are quick to learn, but it will only be a strength if it is applied to learning things that fit us. If we put our energies into learning skills that we don’t like performing then our strength becomes a weakness. So, let’s define the strength more accurately and in Marcus’ own terms. I feel strong when I apply myself to learning new skills in areas that stimulate and please me. I know in my case, being a quick learner soon became a noose around my neck, and actually made it harder to find my real strengths, those activities that thrilled me, that made time stand still. Now, when I puzzle over new ways of designing a web page, or when I am writing an essay for my film studies, or thinking up the plot of my next book, then being a quick learner is a strength.
So during my talks with the mother and career woman, I said that her greatest gifts lie in those character traits that were defined in the test. The fact that she is searching and feeling weakened is because she may be utilising them wrongly, and so turning her strengths into weaknesses. Is the job she is doing the right one for her? Does the company ethic suit her own high standards? She has a need for excellence and always produces top quality work. She is good at taking on new projects, especially in areas where structure and clarity is needed. When she achieves that, she is happy. However, if others do not share her need for excellence, and she is drawn into dead end discussions, she feels weakened. In summary, she feels strong when she takes on a new project and brings structure and clarity. She feels weak when she is unable to convince others to do it her way. So, instead of thinking she can work on that weakness and be more accepting of less than top quality input from others, which in turn will eat away at her strength – producing excellence, maybe she needs to look for a company that operates to the same standards as she. I feel honoured that I can go through this process with her. I already see how great she is. I will be there to celebrate when she is ready to see it herself.
Other women in my circle of friends struggle with other issues. But the essence is the same for all of us. We have all been forcing ourselves to perform tasks that don’t build on our natural strengths. We think that all we have to do is put our minds to a task or activity and just get on with it.
One woman in my circle, a painter and wonderfully creative woman, spent twelve years as an administrative assistant. She told me time and again that she just didn’t understand why she was so tired all the time. She didn’t understand why her output was so below standard and why she was constantly being put under pressure to work harder, and make better results. The simple truth is that she was spending all day in her weak moments. There were weeks when she honestly couldn’t remember one moment when she felt strong, and energised. There were whole months when she was so drained she didn’t have the energy to paint. Now, she too is unemployed, and all she knows is what she doesn’t ever want to do again. She has spent many hours writing and painting, and rediscovering who she really is. We talk about authenticity; we are ready to talk about our darker sides. Our friendship allows us to be honest with each other. We trust each other.
That is the whole point of Marcus Buckingham’s Strongest Life book. To finally get us to wake up and see that we don’t have to do anything and everything. The successful amongst us, and by successful I also mean, happy and contented, are the women who at some stage listened to what the inner voice was telling them. These women, whether consciously or unconsciously, decided to build on those moments that made them feel good and fulfilled instead of ‘working on’ those areas that left them feeling bad.
I have a friend, someone I have always admired. Her mother and father raised her and her siblings to believe in their talents. All of them were gifted musicians, and no one was telling them that music was not the way to make a living. No one told them to learn a trade, or study engineering just because they were clever enough to do so. No, in their family you could be who you wanted to be, who you were born to be. Their mother in particular encouraged them to follow those strong moments. She knew all too well what could happen if you didn’t listen to your own inner voice. She had been an actor and was passionate about theatre and literature and the stage. But for reasons she never spoke about she abandoned her dreams and spends a lot of her life in clinical depression.
What was first, the chicken or the egg? Who knows? What I do know is that my friend never doubted for a moment that her life belonged to music and music belonged in her life. Money or lack of it never stopped her pursuing excellence in her chosen field, never drove her to a career or a job that would have taken away that passion. Initially her music earned her very little, money wise. But she continued to improve and refine her skills. Today she is a vocal director for musical societies for youth theatre groups. Her choirs have won international and national prizes. She has raised three boys through university. Her passion for music has carried her through many hard and difficult moments over the years. But the thread that has run through everything, for her and her siblings, is the truth and authenticity they have. Both her brothers are well known composers, arrangers and orchestra leaders. Her sister teaches at the Royal Academy. All are highly respected, as musicians and human beings. Money and status were never their motivators.
I count myself blessed that I know her. She is the proof I need that living to your strengths will enrich your life. She found it early, I didn’t. But I know I am not too late. You can never be too late. If I ever start to think I am too old, or that I’ve gone past the sell-by-date, then I remind myself of how it was, how I was, and I know I will never lie to myself again. I ask the question Robin Sharma asks of us “Who will cry when I die?” and I know for sure it won’t be me. I won’t cry for a wasted life or chances not taken.
According to the strong life test, my core characteristics are Creator and Pioneer. I always knew it, deep down. They popped up in so many ways. Over the years I have written several novels, even published one. For the last twenty years I have read a vast amount of literature on self realisation. Everything from The Artist’s Way to Now, Discover your strengths and numerous others in between. I have taken courses in Body Work, Transactional Analysis and others. I have been a member of several writing groups. Yet, when it came to earning a living, I locked all of that away in a box and hid it in some dark place.
The key word is AWARENESS. Becoming aware, and choosing to face every day with an openness and willingness to truly absorb and experience each situation to its fullest is one of the greatest gifts you can give to yourself.
AWARENESS implies having the courage to see your dark side, to integrate that, and thus allow it to become another bridge to your authentic, fulfilling life.
Being aware will help us tranform painful experiences into learning experiences. AWARENESS makes the pain endurable.
What follows is an article I wrote last year, but one I feel merits republishing in light of my meeting this morning.
In the spring, I heard I was being made redundant. My company was downsizing and I was superfluous to needs. At that time I did the Marcus Buckingham workshop on line, and filled in the questionnaire on Strengthsfinder.com. An eye opener, a turning point, a revelation. It led to my reading the articles on Work-life balance on Business Exchange and even to contributing my tuppence ha’penny’s worth of commentary.
Later, when I had thought more seriously about the subject, in particular in relation to the premise that women at mid life, though seemingly more successful are sadder and sicker than ever, I was prompted to write my own article on the subject, ‘Let’s Get Personal’. I published it on my blog, found Marcus Buckingham on twitter just to keep up.
All the while I’m thinking, there’s a book in here somewhere.
And of course, there was. Marcus Buckingham has just written it. Find Your Strongest Life is all about the choices women make and how and why we make them. His motivation for writing it stemmed from the Oprah workshop and the subsequent response on the discussion boards.
He is a great analyst, an intuitive observer, and intelligent enough to step aside and process all the information impartially. But he is not a woman.
In the last couple of months I have been working on these issues myself and getting excited about my life all over again. And excited about my friends’ lives too. Since learning to live to my strengths and being manifestly happier I am also a better friend.
The biggest wake up call for me was realising that I had always instinctively known what my strengths were and that using them would be to my and possibly everyone else’s advantage. Unfortunately my working environment was not conducive to employing these strengths. In fact, though it is hard to believe, what were in fact my strengths were the very traits that my bosses wanted me to minimise and hide. As a Creator and a Pioneer I was always coming up with new ideas, new ways of doing things. But when I voiced these in meetings, I was repeatedly overruled more or less told to get back into my box/ Frustration grew. I became resentful, recalcitrant and de-motivated. But before Marcus Buckingham and learning to live to your strengths I spent a lot of time feeling weakened and uninspired at work. Why not go for another job? You might ask. Because somewhere deep down, I almost believed the bosses were right. I believed they knew better than I. I believed that I was a difficult, dissatisfied employee, and that there was no point in moving on because I would antagonise the next boss just as much.
When the redundancy notice came, and I coincidentally came across the Oprah workshop, my life turned around. Learning to respect who I am, and learning to nurture my natural talents has given me a new lease of life. I have more energy than ever. My ability to learn new things, and my curiosity and determination to learn them, has returned in abundance. My mind is again filled with new ideas and despite still being ‘officially’ unemployed I am more contented than I have been in a decade. It is also much easier to be around me.
But, I want to get away from only discussing my own evolution because there is much more to this subject than that. In my previous strengths article ‘Let’s Get Personal’ I investigated the reasons why I turned out the way I did. I asked myself why it was so hard for me to find and live to my strengths, why I would I take on a bosses view of me above my own view of who I am.
Now, a couple of months later it is not just about me reading a book, and applying what I learn to myself. Everywhere I go, whomever I meet, friends, acquaintances, online contacts via social networks, I am walking the walk, and talking the talk. And that is what I want to go into here. I want to discuss what it is to share this with friends, to learn from them and more importantly to give back to them a little of what I am experiencing.
It is amazing.
I know a woman, a mother and career woman. She likes to achieve. Lately she and I have been talking a lot about character, and strengths and stumbling blocks. She is at a crossroads career wise and has been doing some self study and getting advice from others too. Yet she said something to me recently that made my jaw drop. Ok, she said. So I’ve been shown who I am, what my characteristics are. I am being given new insight into my personality. But, where are my strengths? Tell me more about my strengths. More importantly, what are my weaknesses, so that I can work on them?
And that’s the thing. Aren’t our strengths related to who we are? Marcus Buckingham tells us that our strengths are those talents that were always present and that they are inherent to who we are. Unfortunately we have been programmed to think that strengths and weaknesses lie outside of our core, and that we can learn new strengths and that we should focus on weaknesses, work on minimising them, or if we are lucky, turn them into strengths. That just isn’t true. Core strengths and weaknesses will always be just that.
We might say that our strength might be that we are quick to learn, but it will only be a strength if it is applied to learning things that fit us. If we put our energies into learning skills that we don’t like performing then our strength becomes a weakness. So, let’s define the strength more accurately and in Marcus’ own terms. I feel strong when I apply myself to learning new skills in areas that stimulate and please me. I know in my case, being a quick learner soon became a noose around my neck, and actually made it harder to find my real strengths, those activities that thrilled me, that made time stand still. Now, when I puzzle over new ways of designing a web page, or when I am writing an essay for my film studies, or thinking up the plot of my next book, then being a quick learner is a strength.
So during my talks with the mother and career woman, I said that her greatest gifts lie in those character traits that were defined in the test. The fact that she is searching and feeling weakened is because she may be utilising them wrongly, and so turning her strengths into weaknesses. Is the job she is doing the right one for her? Does the company ethic suit her own high standards? She has a need for excellence and always produces top quality work. She is good at taking on new projects, especially in areas where structure and clarity is needed. When she achieves that, she is happy. However, if others do not share her need for excellence, and she is drawn into dead end discussions, she feels weakened. In summary, she feels strong when she takes on a new project and brings structure and clarity. She feels weak when she is unable to convince others to do it her way. So, instead of thinking she can work on that weakness and be more accepting of less than top quality input from others, which in turn will eat away at her strength – producing excellence, maybe she needs to look for a company that operates to the same standards as she. I feel honoured that I can go through this process with her. I already see how great she is. I will be there to celebrate when she is ready to see it herself.
Other women in my circle of friends struggle with other issues. But the essence is the same for all of us. We have all been forcing ourselves to perform tasks that don’t build on our natural strengths. We think that all we have to do is put our minds to a task or activity and just get on with it.
One woman in my circle, a painter and wonderfully creative woman, spent twelve years as an administrative assistant. She told me time and again that she just didn’t understand why she was so tired all the time. She didn’t understand why her output was so below standard and why she was constantly being put under pressure to work harder, and make better results. The simple truth is that she was spending all day in her weak moments. There were weeks when she honestly couldn’t remember one moment when she felt strong, and energised. There were whole months when she was so drained she didn’t have the energy to paint. Now, she too is unemployed, and all she knows is what she doesn’t ever want to do again. She has spent many hours writing and painting, and rediscovering who she really is. We talk about authenticity; we are ready to talk about our darker sides. Our friendship allows us to be honest with each other. We trust each other.
That is the whole point of Marcus Buckingham’s Strongest Life book. To finally get us to wake up and see that we don’t have to do anything and everything. The successful amongst us, and by successful I also mean, happy and contented, are the women who at some stage listened to what the inner voice was telling them. These women, whether consciously or unconsciously, decided to build on those moments that made them feel good and fulfilled instead of ‘working on’ those areas that left them feeling bad.
I have a friend, someone I have always admired. Her mother and father raised her and her siblings to believe in their talents. All of them were gifted musicians, and no one was telling them that music was not the way to make a living. No one told them to learn a trade, or study engineering just because they were clever enough to do so. No, in their family you could be who you wanted to be, who you were born to be. Their mother in particular encouraged them to follow those strong moments. She knew all too well what could happen if you didn’t listen to your own inner voice. She had been an actor and was passionate about theatre and literature and the stage. But for reasons she never spoke about she abandoned her dreams and spends a lot of her life in clinical depression.
What was first, the chicken or the egg? Who knows? What I do know is that my friend never doubted for a moment that her life belonged to music and music belonged in her life. Money or lack of it never stopped her pursuing excellence in her chosen field, never drove her to a career or a job that would have taken away that passion. Initially her music earned her very little, money wise. But she continued to improve and refine her skills. Today she is a vocal director for musical societies for youth theatre groups. Her choirs have won international and national prizes. She has raised three boys through university. Her passion for music has carried her through many hard and difficult moments over the years. But the thread that has run through everything, for her and her siblings, is the truth and authenticity they have. Both her brothers are well known composers, arrangers and orchestra leaders. Her sister teaches at the Royal Academy. All are highly respected, as musicians and human beings. Money and status were never their motivators.
I count myself blessed that I know her. She is the proof I need that living to your strengths will enrich your life. She found it early, I didn’t. But I know I am not too late. You can never be too late. If I ever start to think I am too old, or that I’ve gone past the sell-by-date, then I remind myself of how it was, how I was, and I know I will never lie to myself again. I ask the question Robin Sharma asks of us “Who will cry when I die?” and I know for sure it won’t be me. I won’t cry for a wasted life or chances not taken.
According to the strong life test, my core characteristics are Creator and Pioneer. I always knew it, deep down. They popped up in so many ways. Over the years I have written several novels, even published one. For the last twenty years I have read a vast amount of literature on self realisation. Everything from The Artist’s Way to Now, Discover your strengths and numerous others in between. I have taken courses in Body Work, Transactional Analysis and others. I have been a member of several writing groups. Yet, when it came to earning a living, I locked all of that away in a box and hid it in some dark place.
Labels: writing, fiction, reading, life
authentic living,
creativity,
destiny,
inspiration,
marcus buckingham,
strengths,
weaknesses
Thursday, August 27, 2009
Home Run
It has been a long distance race, this novel of yours. In the early stages you took well defined, planned out steps, steps that would warm up the muscles but that would at the same time conserve energy and prepare you for the long haul.
In the first section of the novel the characters deepened and became autonomous and to some degree less familiar than you had expected. It followed that the plot too would not follow exactly the lines laid out in the synopsis.
And so, taking a deep breath you moved into the middle section of the story, where, though referring to the chapter breakdown, you allow yourself to be drawn along by the characters.
In this section of the book, though never losing control, you must relinquish the notion that you are omniscient, (in the context of this novel) and that not just possible readers, but you too, are on a journey of discovery. Fiction comes to life when the writer succumbs to this fact, and lets his heart speak. This is not to say that the pen (or the word processor) takes over completely; you the writer will use your instincts and your intelligence to guide the novel along, but there must be some degree of surrender to this organic process.
And then two thirds of the way into the novel you pause for reflection. The characters have grown and deepened; the plot has at particular stages meandered, at others charged along exhaustingly. You find yourself with a lot of loose ends to be tied up. If you find yourself at a loss, the original synopsis and chapter breakdown can be an enormous help now. You see, you had already taught yourself how to complete and conclude a novel in this original scheme and even though the plot may have diverged from your basic idea, you still have enough material to adapt or re-write. And even if you need to re-write the chapter breakdown for the last section, you know you can do it, because you did it before!
In my opinion it doesn’t matter what type of novel you have written, whether it be a thriller, a romance, a psychological drama. It doesn’t matter whether the plot, or the characterisation has ultimately taken the upper hand. In every case, a rounding off of all the elements and a satisfactory last paragraph, or sentence, preceding the words ‘The End’ will make or break the novel. Think back to novels you have read, even ones captivatingly written, ones that have drawn you in and kept you reading till dawn. If that last section, or worse still that last paragraph or sentence has disappointed, then it would have coloured your memory of the entire novel. So, reach a satisfactory conclusion, one that leaves no unwanted loose ends. I say, unwanted, because a deliberate loose end, one that forces you to continue thinking about the story after you have closed the book, is not a ‘loose end’ in the sense of a badly finished novel.
And how exactly do you reach that satisfactory conclusion? By the same means you used to get this far in the first place. Trusting the process, writing from the heart, and finally, listening to your body, because a truly complete conclusion will allow you to take a deep breath, smile broadly and let your shoulders sag a little for a job well done.
In a fast paced novel, one of high suspense and a lot of tension, it is generally a good idea to slow things down, give the reader an opportunity to digest all he has consumed. Soothe the reader, and gently ease him into saying goodbye to the story. In a slower novel, one with possibly a lot of intricate side steps and character motivations, the pace may pick up, turning the conclusion into a real home run, a last sprint or spurt of energy, where the elements just clash together. This type of conclusion hits you in the face, so to speak. I liken it to an Agatha Christie, (Murder on the Orient Express springs to mind). There are numerous elements to be worked out, described; several characters to be developed in depth. Much of the novel is used to do this. The pace is slow enough to give the reader ample opportunity to guess and to assume and inevitably to be wrong footed time and again. But when Agatha Christie decides it is time to lift the veil and draw the reader into the home stretch, the pieces fall in rapid succession, causing the reader to turn the pages furiously. And when the answer is revealed and the story concluded, there is the total satisfaction of knowing that this was the perfect solution, and that all the pieces fit perfectly together. It is then ‘obvious’!
14. Home Run
Arundhati Roy, in The God of Small Things also uses a large part of her novel to lay the ground for her characters and her plot. If it hadn’t been for the sheer wonderment of her writing style and use of vocabulary I might not have stuck with this novel at all. But having waded through this first section, I was delighted to have stuck it out, because the second and third sections of this story are riveting. It is then obvious that every description and every event were necessary to the fulfilling of this novel. Not a word too much. But it is certainly a risk and takes a lot of courage on the part of the writer to pace a novel this way because you are in danger of losing the reader. It takes great skill, and a hypnotic use of language to hold a reader in what might otherwise be just a laborious book.
In contrast, I recently read Dave Eggers, A Heartbreaking Work of Staggering Genius. This initially clever book has us intrigued even before we read the first chapter, as Dave Eggers has slyly used the acknowledgements and foreword to illustrate his ability to break the rules and intrigue us. My respect for his daring lasted until about chapter 5, at which point I had the dreaded suspicion that, despite his clever entree, he really had no idea what he wanted to do with this novel. It was rapidly turning into a badly planned, not very profound, chronicle of his life immediately after the death of his parents, and his parenting of his younger brother. The promise he had shown by breaking a few rules initially, fell into superficiality. Dave Eggers was just not ready to dig deep enough to hold my interest. His characterisation (even though he wrote about real people) was marginal and two dimensional, and by the time he actually visits his parents graves and sheds a tear, I find myself saying ‘so what’. I cannot even remember exactly how he concluded this novel, and clearly any conclusion was not enough to save this novel, that was potentially a work of staggering genius, but turned out to be heartbreakingly disappointing.
Tracy Chevalier’s ‘Falling Angels’ on the other hand, is not particularly fast-paced, but it is set in a time of great social change in England, and this Chevalier uses to her full advantage. Her characters are well thought out, and fit perfectly into the situation of two royal deaths and the suffragette movement in England. I think the consistency of these different elements woven into a novel are underestimated. In Falling Angels we take it for granted because it is so well done. But if it were badly done, we would feel it immediately and come away from the novel feeling vaguely dissatisfied. Chevalier does what everyone wants to do: she makes it all seem easy. Her plot flows; the pace accelerating and decelerating exactly when it must. And the characters evolve and deepen without us even really noticing it. The conclusion is gentle, soothing, satisfying and completely in keeping with the calibre of the novel.
Our aim is to write just such a novel. One where the ending is like a deep, languorous breath. Now, as a final thought, and one I will ponder for the next article: how do you say goodbye, emotionally put it to bed, and distance yourself enough to critically examine the manuscript?
In the first section of the novel the characters deepened and became autonomous and to some degree less familiar than you had expected. It followed that the plot too would not follow exactly the lines laid out in the synopsis.
And so, taking a deep breath you moved into the middle section of the story, where, though referring to the chapter breakdown, you allow yourself to be drawn along by the characters.
In this section of the book, though never losing control, you must relinquish the notion that you are omniscient, (in the context of this novel) and that not just possible readers, but you too, are on a journey of discovery. Fiction comes to life when the writer succumbs to this fact, and lets his heart speak. This is not to say that the pen (or the word processor) takes over completely; you the writer will use your instincts and your intelligence to guide the novel along, but there must be some degree of surrender to this organic process.
And then two thirds of the way into the novel you pause for reflection. The characters have grown and deepened; the plot has at particular stages meandered, at others charged along exhaustingly. You find yourself with a lot of loose ends to be tied up. If you find yourself at a loss, the original synopsis and chapter breakdown can be an enormous help now. You see, you had already taught yourself how to complete and conclude a novel in this original scheme and even though the plot may have diverged from your basic idea, you still have enough material to adapt or re-write. And even if you need to re-write the chapter breakdown for the last section, you know you can do it, because you did it before!
In my opinion it doesn’t matter what type of novel you have written, whether it be a thriller, a romance, a psychological drama. It doesn’t matter whether the plot, or the characterisation has ultimately taken the upper hand. In every case, a rounding off of all the elements and a satisfactory last paragraph, or sentence, preceding the words ‘The End’ will make or break the novel. Think back to novels you have read, even ones captivatingly written, ones that have drawn you in and kept you reading till dawn. If that last section, or worse still that last paragraph or sentence has disappointed, then it would have coloured your memory of the entire novel. So, reach a satisfactory conclusion, one that leaves no unwanted loose ends. I say, unwanted, because a deliberate loose end, one that forces you to continue thinking about the story after you have closed the book, is not a ‘loose end’ in the sense of a badly finished novel.
And how exactly do you reach that satisfactory conclusion? By the same means you used to get this far in the first place. Trusting the process, writing from the heart, and finally, listening to your body, because a truly complete conclusion will allow you to take a deep breath, smile broadly and let your shoulders sag a little for a job well done.
In a fast paced novel, one of high suspense and a lot of tension, it is generally a good idea to slow things down, give the reader an opportunity to digest all he has consumed. Soothe the reader, and gently ease him into saying goodbye to the story. In a slower novel, one with possibly a lot of intricate side steps and character motivations, the pace may pick up, turning the conclusion into a real home run, a last sprint or spurt of energy, where the elements just clash together. This type of conclusion hits you in the face, so to speak. I liken it to an Agatha Christie, (Murder on the Orient Express springs to mind). There are numerous elements to be worked out, described; several characters to be developed in depth. Much of the novel is used to do this. The pace is slow enough to give the reader ample opportunity to guess and to assume and inevitably to be wrong footed time and again. But when Agatha Christie decides it is time to lift the veil and draw the reader into the home stretch, the pieces fall in rapid succession, causing the reader to turn the pages furiously. And when the answer is revealed and the story concluded, there is the total satisfaction of knowing that this was the perfect solution, and that all the pieces fit perfectly together. It is then ‘obvious’!
14. Home Run
Arundhati Roy, in The God of Small Things also uses a large part of her novel to lay the ground for her characters and her plot. If it hadn’t been for the sheer wonderment of her writing style and use of vocabulary I might not have stuck with this novel at all. But having waded through this first section, I was delighted to have stuck it out, because the second and third sections of this story are riveting. It is then obvious that every description and every event were necessary to the fulfilling of this novel. Not a word too much. But it is certainly a risk and takes a lot of courage on the part of the writer to pace a novel this way because you are in danger of losing the reader. It takes great skill, and a hypnotic use of language to hold a reader in what might otherwise be just a laborious book.
In contrast, I recently read Dave Eggers, A Heartbreaking Work of Staggering Genius. This initially clever book has us intrigued even before we read the first chapter, as Dave Eggers has slyly used the acknowledgements and foreword to illustrate his ability to break the rules and intrigue us. My respect for his daring lasted until about chapter 5, at which point I had the dreaded suspicion that, despite his clever entree, he really had no idea what he wanted to do with this novel. It was rapidly turning into a badly planned, not very profound, chronicle of his life immediately after the death of his parents, and his parenting of his younger brother. The promise he had shown by breaking a few rules initially, fell into superficiality. Dave Eggers was just not ready to dig deep enough to hold my interest. His characterisation (even though he wrote about real people) was marginal and two dimensional, and by the time he actually visits his parents graves and sheds a tear, I find myself saying ‘so what’. I cannot even remember exactly how he concluded this novel, and clearly any conclusion was not enough to save this novel, that was potentially a work of staggering genius, but turned out to be heartbreakingly disappointing.
Tracy Chevalier’s ‘Falling Angels’ on the other hand, is not particularly fast-paced, but it is set in a time of great social change in England, and this Chevalier uses to her full advantage. Her characters are well thought out, and fit perfectly into the situation of two royal deaths and the suffragette movement in England. I think the consistency of these different elements woven into a novel are underestimated. In Falling Angels we take it for granted because it is so well done. But if it were badly done, we would feel it immediately and come away from the novel feeling vaguely dissatisfied. Chevalier does what everyone wants to do: she makes it all seem easy. Her plot flows; the pace accelerating and decelerating exactly when it must. And the characters evolve and deepen without us even really noticing it. The conclusion is gentle, soothing, satisfying and completely in keeping with the calibre of the novel.
Our aim is to write just such a novel. One where the ending is like a deep, languorous breath. Now, as a final thought, and one I will ponder for the next article: how do you say goodbye, emotionally put it to bed, and distance yourself enough to critically examine the manuscript?
Saturday, July 11, 2009
This one from Joel Huan, food for thought
When I was younger, I listened to my head. For one who was about to enter university, the best courses are those that give me great job prospect, so said all my classmates. So I took commerce, with major in accounting, business administration, law. But when I graduated and worked as an accountant, an ACA, I found it boring, a distaste. In my spare time, I began writing a novel, a pretty experimental project for myself, simply because I have no formal training in writing or literature. Somehow at work, my heart took over, beating with my subconscious emotions, and soon I found myself started more writing, moonlighting. My accounting profession suffered (never proceed to CA), as I didn't go for my regular ongoing courses that is required by members of that profession. I enjoyed my research and writing. Novel writing doesn't pay, but my heart was pumping, loudly, clearly. Few years later, and in trying to get an established publisher, I got rejected by all agents. Looking back, it was good, because it enabled me to keep polishing my plot, characterization. I belonged to two large critique groups (plus a few smaller ones). And I kept ploughing away. While members of my accounting profession would be doing more socials and networking to further their careers, I was alone working on my writing. Now my novel is published. It took me ten years for this novel to be born, and I thoroughly enjoy this process. Although Barnes&Noble and Amazon are selling at their sites, I'm also offering it free online, suppressing the logic of my head lol.
Subscribe to:
Posts (Atom)



